Focusrite Scarlett 4i4 3rd Gen USB Digital interface Focusrite

From Focusrite:

Sitting on the desks of more musicians and producers than any other, the Scarlett range of audio interfaces means studio-quality sound for all your instruments – and 4i4 is the interface of more. Capture more of your ever-expanding setup with more inputs, more outputs and more connectivity.

Plug in and produce; all your instruments, all the time. With two 3rd Generation preamps, four line-ins and four balanced outs – for synths, drum machines or looping hardware effects – our most connected bus-powered interface records wherever your instruments are. Spend less time plugging in and more time playing.

Quick Start gets you set up, recording and playing back within minutes. Our mic preamps, high-headroom instrument inputs, iconic Gain Halos, clean and balanced fixed line I/O and MIDI connectivity mean the science of sounding great is sorted. We’ve worried about the tech, you can focus on the music.

We’ve been making mic preamps for 30 years, and the 3rd Gen mic pre is the best Scarlett has ever heard. The 24-bit/192kHz converters give your recordings clarity and detail. Air mode breathes life into vocals, adding unique high-end detail. Our decades of experience mean Scarlett sounds just like you.

Create studio quality vocals, powerful guitars, luscious keys and huge drums, then mix and master with iconic Focusrite studio hardware – all in the box. Every new Focusrite Scarlett 3rd Gen interface comes with an unbeatable range of tried-and tested studio tools from some of the biggest names in the business:

• Antares Auto-Tune Access
• Relab’s LX480 Essentials 
• Softube Marshall Silver Jubilee 2555 
• XLN Audio Addictive Keys 
• XLN Audio Addictive Drums 2: Studio Rock kit 
• Brainworx bx_oberhausen 
• Brainworx bx_console Focusrite SC
• Focusrite Red Plug-in Suite 
• Brainworx bx_masterdesk

MICROPHONE INPUTS

• Frequency Response: 20Hz – 20kHz ± 0.1dB
• Dynamic Range: 111dB (A-weighted)
• THD+N: <0.0012% 
• Noise EIN: -128dB (A-weighted)
• Maximum Input Level: 9dBu (at minimum gain)
• Gain Range: 56dB
• Impedance: 3kΩ

LINE INPUTS 1-2 (VARIABLE GAIN)

• Frequency Response: 20Hz – 20kHz ± 0.1dB
• Dynamic Range: 110.5dB (A-weighted)
• THD+N: <0.002%
• Maximum Input Level: 22dBu (at minimum gain)
• Gain Range: 56dB
• Impedance: 60kΩ

LINE INPUTS 3-4 (FIXED GAIN)

• Frequency Response: 20Hz – 20kHz ± 0.1dB
• Dynamic Range: 110dB (A-weighted)
• THD+N: <0.002%
• Maximum Input Level: 18dBu (at minimum gain)
• Impedance: 44Ω

INSTRUMENT INPUTS

• Frequency Response: 20Hz – 20kHz ± 0.1dB
• Dynamic Range: 110dB (A-weighted)
• THD+N: <0.03%
• Maximum Output Level (0 dBFS): 12.5dBu (at minimum gain)
• Gain Range: 56dB
• Impedance: 1.5MΩ

LINE/MONITOR OUTPUTS

• Dynamic Range (Line Outputs): 108dB
• THD+N: <0.002%
• Maximum Output Level (0 dBFS): 15.5dBu 
• Impedance: 430Ω

HEADPHONE OUTPUTS

• Dynamic Range: 104dB (A-weighted)
• THD+N: <0.002%
• Maximum Output Level: 7dBu
• Impedance: <1Ω