What is more powerful: the pedal, or the foot that steps upon it? Do not ask Crom; he is a gloomy and bitter god who lives in a mountaintop. He won’t answer!
Based on the old Supa Tone Benders and Muff style pedals that inspired our Olympia fuzz of a decade ago, CROM does away with the typical lossy tone stack, instead using an emphasis control influenced by 1950s tweed amplifiers. The end result is much more mid forward rather than scooped, tighter and more defined at lower gain settings, and bullish through the mix at higher gain. Two modes (standard & turbo) are available for setting the gain range and frequency responses.